Posts Tagged With: ghostlight

Deadgirl Sequel Out Now, Author Pees in Excitement

Hey, good and gentle peoples who read this blog! I try not to spam you guys because you’re all so attractive and swell individuals, but it’s not every day the sequel to your first book comes out. Which it did. It does. For me. I mean.

My book is out today. Kindle / Ebook / Phone right now, but the paperback is coming soon. Anyway, I’d really appreciate it if you checked it out or at the very least sent the word along to someone you think might dig it. Anyway, here are the links to Amazon and then I’ll leave you alone I promise.

Here are the Amazon pages for Deadgirl: Ghostlight and the original Deadgirl if you missed it. They’re basically Buffy the Vampire Slayer-style adventure/thrillers narrated by a smartass.

ghostlight review sheet

 

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Categories: Books, Deadgirl, Diary, publishing | Tags: , , , , , , , , , , , , , , | 1 Comment

Smile!

LucyClose

Categories: Deadgirl, News, publishing, writing | Tags: , , , , , , , , , , , , | 2 Comments

A Selfless Reminder

Just a completely altruistic, non self-serving reminder that the sequel to a book I wrote is coming out in one month. Which I also wrote. I wrote both, is what I’m saying.

DG Date Banner2

Check out the first “Deadgirl”

And the new one, “Deadgirl: Ghostlight”

Categories: Books, Deadgirl, publishing, writing | Tags: , , , , , , , , , , | Leave a comment

The Asshole’s Guide To Editing: #3

Assholes Guide Banner

Previous Guides: #1 and #2.

Last time: Solin tried to help the blacksmith, taught an adjunct class on how to use a dolly in excruciating detail, broke some shit, and then ran down the street.

I took a week off because the Walking Dead finale broke my shit, but I’m back.

EXCERPT

A block or two later, his heart calmed, and he was sure Jayne wasn’t following. (“Heart calmed” is a nothing phrase – we’re here to evoke emotion. Even a cliché like “his heart stopped pounding” is at least evocative and descriptive. I’d also reorder this sentence – “His heart calmed a block or two later when he was sure Jayne wasn’t following.” Get rid of a few unnecessary commas and bring the action out front.

However, what I’d really do is reorder the sentence as above, getting the subject and verb out front, AND I’d give it more active language with an amusing voice – it was supposed to be a funny scene, after all.

So, something like this: “His heart found its old familiar rhythm three blocks later when he was sure Jayne wasn’t chasing him with a rake.”)

Still, he’d done enough harm to the populace for today. Time to go see ‘ole long face. (The voice is a MESS here. Thinking something like “he’d done enough harm to the populace” is something a robot or a snarky college professor might say. But then in the next sentence it’s “time to go see ‘ole long face.” Folksy language. Voice is important, and this neophyte writer didn’t spare one moment to even think about it).

Solin’s destination was on the edge of town (passive language alert), and so it allowed him to observe Bowen’s Rest in its waking moments. He was not a fan of being up so early, (passive language alert) but between bad dreams and insomnia, it was a time he was unfortunately familiar with. (Not sure why Solin can’t think in contractions – “He was not a fan” “it was a time.” He’s 17-years-old, loosen the collar a little).

He welcomed it, grudgingly. It was a better alternative to the dreams, and the cold air filling his lungs seemed so vibrant and alive. Solin also liked the feeling that he was witnessing something that few people see (Except earlier you said the whole town wakes up early – the problem here is the writer is injecting his own thoughts into the character, whether they’re appropriate or not). Most wake up and the world is going on without them. So early in the morning, Solin felt strangely wise. As if all those who missed the sunrise were left out.

Maybe he did like being up early after all, and grumbled and complained for the sake of others. (This shit is infuriating. In the beginning of the chapter, he said he hated to wake up early. Then, just now, he liked it. Now, here, Solin offers a THIRD OPINION about his feelings about the morning. This is shameful, self-indulgent naval-gazing at its most embarrassing, and worst of all, it’s slapping the reader in the face and saying “I don’t care about your time.”) He shook his head. At that hour, with an angry blacksmith possibly on his heels, Solin wasn’t much for self-reflection. (ARE YOU SURE?! WANNA GO BACK AND READ THE LAST NINE PARAGRAPHS, YOU FUCK?!)

Ironic, considering where he was going and why. (There’s irony all over this sumbitch, but it’s not for that reason). He wondered if sourpuss would be awake. Of course he was awake. He was always awake. (So, everyone in town wakes up early again? Is this early-onset medieval fantasy Alzheimers?)

The cobbled street became dirt, and the buildings to either side blended into rolling farmland. (“…blended into rolling farmland” might be one of the few non-passive, non-forever-taking bits of economical writing in the whole book so far). To his left, on the east side of the road stood a field of golden corn. It looked ripe for the picking to Solin, but he admitted he wasn’t much for farming. That was another trade Solin had attempted, to little avail. He had apprenticed at that very farm. Farmer Yeven had watched him break two plows, a fence, and a mule before asking him politely to “try a different trade.” (This is actually pretty considerate of me to remind you again and again that Solin is a screw-up, because there is a very real chance you, the abused reader, fell asleep during an earlier passage and missed something.)

To his right, on the west side of the road, was grazing land, and a vast fleet of cows roamed across it (I think this sentence needs more commas). Solin was pretty sure a group of cows wasn’t called a fleet, but he didn’t really care either (and neither does the reader).

That land he knew quite well. It was his best friend’s, or his best friend’s father’s, though most in the town knew that Rion ett Morali, the son, pretty much ran the farm by himself. Rion tended the livestock, the small field of corn behind their house, and even dealt with the finances and sold the farms excess. He was well respected, for his hard work if not for the pity most felt for him about his father. (Way, way too overwritten. How about: “Everyone knew Rion ran the family farm, no matter whose name was on the deed” and delete the rest of this paragraph. Maybe the chapter. Potentially the book).

Solin vaulted the low wooden fence into the Morali farm, his boots crunching into the sparse grass (there’s some simultaneous action happening here – if his boots really must crunch, they should do it in their own sentence. This somehow implies his boots crunched the grass in mid-vault, which gravity doesn’t particularly care for). A cow just at the edge of the fence turned its head up toward him, (just “A cow at the edge of the fence turned its head,” no need for “up toward him.” We get that he’s spurring the action, cut the stage direction) and Solin patted the big animal on the forehead. Its large eyes blinked once, and it never stopped chewing. After a moment, it returned to its patch of grass. Solin shook his head and laughed, and wondered if he would have got the same reaction if he would have lit the cow on fire and jumped up and down screaming. Probably. (Some readers might get that this is a joke, but other readers would probably assume Solin is a weirdo or a psychopath. Maybe save animal mutilation jokes until we know the character a little better).

Far off to his right he could see a house, and barn with a silo beside it. (Unnecessary Comma should be the name of my band). Solin turned south, checked his belt, and took off running. (“Checked his belt?” Why include such needless detail? “Solin’s mind sent signals down his spine to his large muscle groups compelling them forward into what could be called a ‘run’ by modern scholars. This was much faster than a walk.”) It was a fine day for it, and the cool air flooding through his lungs brought a smile to his face. His legs pumped, his arms moved in tight lines beside his waist, and he threw his head back to feel the biting wind. (Oh, shit, I got ahead of myself. I really did describe what running is) Solin’s shaggy blond hair caught the wind, and he laughed again as he ran. A cow rose up before him and Solin leaped, catching the cows back with one hand and vaulting over it with all his momentum. He crashed into a roll on the other side, but came up running just as quickly. (He just jumped a cow. What is happening?)

He wondered if he could ever get Cow Jumping to take off as a sport. (Insert audience laughter)

/EXCERPT

Okay, so that was (pardon my Swiss-German) fucking brutal. We barely made it through 500 words of prose there, and literally nothing happened.

Things Solin thought about: 1) Morning time, 2) Working on a farm, 3) Lighting cows on fire

I’ll see you next week for – GOD WILLING – some actual narrative beats. Maybe. No promises.

Next: Read “The Asshole’s Guide to Editing” #4

 

 

Categories: The Asshole's Guide to Editing, writing | Tags: , , , , , , , , , , , | 2 Comments

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